The consequence: conceptual writers and their critics tend to deal with ideas, ideas, procedures (the methods of a text’s creation) over and above questions of aesthetics, kind, and the particularities of the actual textual content on the page. In contrast to the formalists who did not question the received concept of art, the position of the artist was to question the very notion that art needed to be an object. The major philosophical query highlighted by conceptual art on this context, then, is the following: ‘Does artwork really must be aesthetic, and, if that’s the case, in what sense?’. It wasn’t solely the Wittgenstein’s philosophy of language that influenced conceptual artwork movement, but additionally poststructuralist and postmodern philosophers, particularly French ones, equivalent to Jacques Derrida, Michel Foucault, Gilles Deleuze, and lots of others. Conceptual Art: Theory, Myth, and Practice, Cambridge: Cambridge University Press.

Conceptual art actively goals to be thought-upsetting, stimulating and provoking, and if only for that cause, philosophers interested in art mustn’t pass it by unaffected. Young’s argument focuses on the notion of exemplification which he locates on the heart of the only kind of semantic illustration and cognitive worth that can be ascribed to artworks equivalent to …