Ontology Of Conceptual Art

Conceptual Art is predicated on the impression that the artwork is an idea or concept, as an alternative of being a physical product. Since conceptual artwork inherently rejects materialistic representation of artworks and it isn’t targeted on materiality, many have linked conceptual artwork with Minimalism (when you like minimalism, take a look at our listing of 10 minimalist artist ). However, conceptual artists rejected minimalism’s embrace of the conventions of sculpture and painting as mainstays of artistic manufacturing.

Conceptual art sidestepped conventions of workmanship and style to an extent that it may very well be said to position renewed emphasis on content material, which had been largely banished below vital emphasis on kind. Damien Hirst is a British installation and conceptual artist, and in the 1980s was a founding member of the Young British Artists (YBAs).

Any attack on this basic function of conceptual artwork targets not so much an individual work of art but relatively finds fault with the artistic tradition itself. While conceptual art in its purest form would possibly arguably be restricted to works produced during these 5 – 6 years nearly half a century ago, it appears overly slim – definitely from a philosophical perspective – to restrict our inquiry to works produced throughout that period alone.conceptual art

Artist collectives offered anonymity, and thus protection from prosecution by oppressive authorities, and the opportunity to make sturdy social statements. But whereas this can be a viable position to carry in relation to the venture of conceptual art on the whole, it cannot be used to attack conceptual artwork by itself grounds. Philosophizing about conceptual art is, then, not merely philosophizing about one specific artform.

Most conceptual artwork actively sets out to be controversial in as far as it seeks to problem and probe us about what we are likely to take as given in the area of artwork. Drawing on contemporary feminist thought, and specifically on psychoanalysis, it explores the contradictions for a girl artist between her creative and procreative roles. Sol LeWitt was an necessary transitional figure between Minimal and Conceptual artwork, and lots of Minimal artists drifted in direction of Conceptual artwork. Clearly, conceptual artwork just isn’t the primary kind of art to lift ontological issues of this type.